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	<title>Test PressingINTERVIEWS | Test Pressing</title>
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	<link>http://testpressing.org</link>
	<description>Balearic Beats, Culture &#38; Design</description>
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	<itunes:summary>Balearic Beats</itunes:summary>
	<itunes:author>Test Pressing</itunes:author>
	<itunes:explicit>clean</itunes:explicit>
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	<managingEditor>yesproductions@gmail.com (Test Pressing)</managingEditor>
	<itunes:subtitle>Test Pressing Podcast</itunes:subtitle>
	<itunes:keywords>Balearic, Test Pressing, Mellow, Balearic Beat, Disco, House, Mixes, Mellow, Acid, Ibiza</itunes:keywords>
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		<rawvoice:frequency>Weekly</rawvoice:frequency>
		<item>
		<title>20 QUESTIONS / 001 / RICHARD “AMPO” HAMPSON / IS IT BALEARIC?</title>
		<link>http://testpressing.org/2012/05/20-questions-001-richard-%e2%80%9campo%e2%80%9d-hampson-is-it-balearic/</link>
		<comments>http://testpressing.org/2012/05/20-questions-001-richard-%e2%80%9campo%e2%80%9d-hampson-is-it-balearic/#comments</comments>
		<pubDate>Mon, 21 May 2012 04:28:50 +0000</pubDate>
		<dc:creator>Dr Rob</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[20 questions]]></category>
		<category><![CDATA[Dr Rob]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Is It Balearic]]></category>
		<category><![CDATA[Richard Hampson]]></category>
		<category><![CDATA[Test Pressing]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=15853</guid>
		<description><![CDATA[Where are you based and is this your home town? Nottingham, but my home town is Leicester. What is your first musical memory? I can’t remember apart from sitting in the back of the car, with the whiff of Number 6 tips, nodding my head to something or other my Mum &#038; Dad were playing. What was the first record you bought? From my local video shop, in the days when you could by 7” everywhere, I think I bought Bad Manners` “Lip Up Fatty”, The Clash`s “Bank Robber” and Tenpole Tudor`s “Swords Of A Thousand Men”. What was the last record you bought? “One For Kenny” by the Idjut Boys. What inspired you to start DJing / making music / start the label? DJing, I would have to say watching Laurent Garnier in the rave days and a bit later Graeme Park And Alistair Whitehead at the Kool Kat in Nottingham. I first heard Garnier at Raindance in 1991, and then at various warehouses up and down the land. He always stood out. As far as making music is concerned, DJing started to dry up, as it does at some point, so making music and concentrating on production was [...]]]></description>
		<wfw:commentRss>http://testpressing.org/2012/05/20-questions-001-richard-%e2%80%9campo%e2%80%9d-hampson-is-it-balearic/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Interview / Nick Logan / Publisher &amp; Editor / The Face / Smash Hits</title>
		<link>http://testpressing.org/2012/04/interview-nick-logan-publisher-editor-the-face-smash-hits/</link>
		<comments>http://testpressing.org/2012/04/interview-nick-logan-publisher-editor-the-face-smash-hits/#comments</comments>
		<pubDate>Mon, 16 Apr 2012 18:44:47 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Editor]]></category>
		<category><![CDATA[Nick Logan]]></category>
		<category><![CDATA[Publisher]]></category>
		<category><![CDATA[Smash Hits]]></category>
		<category><![CDATA[The Face]]></category>
		<category><![CDATA[Wagadon]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=15403</guid>
		<description><![CDATA[Any regular readers of Test Pressing will know I am a big fan of The Face. For me they covered youth culture in an intelligent way at a time when the culture itself was vibrant, colourful and exciting. The man behind The Face was Nick Logan, named the most innovative magazine man of his generation by The Guardian (listen to their interview with him here) and an afternoon talking with him over a few glasses of wine was pretty much the perfect way to spend a few hours. Logan has quite a history. He sat as Editor during the halcyon days of the NME, where he ran an infamous ‘Young Gunslingers’ ad which brought Julie Burchill and Tony Parsons to the paper. He created and set up Smash Hits, the magazine where Neil Tennant of the Pet Shop Boys was Assistant Editor for a period of time, and that also launched the careers of Mark Frith, Mark Ellen and (our favourite) Miranda Sawyer. He then moved on to set up The Face, and in turn Arena (amongst others), at his Wagadon publishing house. He has ticked all the boxes in the world of magazine publishing. The Face was the reason [...]]]></description>
		<wfw:commentRss>http://testpressing.org/2012/04/interview-nick-logan-publisher-editor-the-face-smash-hits/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The NME / DJ Harvey Piece / New Hard Left</title>
		<link>http://testpressing.org/2012/04/the-nme-dj-harvey-piece-new-hard-left/</link>
		<comments>http://testpressing.org/2012/04/the-nme-dj-harvey-piece-new-hard-left/#comments</comments>
		<pubDate>Tue, 10 Apr 2012 18:33:40 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[DJ Harvey]]></category>
		<category><![CDATA[Interview]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=15357</guid>
		<description><![CDATA[Sometimes I feel like the only old articles I post are DJ Harvey ones but maybe that has just been recently but we&#8217;re not running the fan club honestly. I don&#8217;t even get the guru thing as I said before. I just think he&#8217;s a good bloke who stuck to his guns, throws a great party, likes top leftfield music and disco and luckily in life gets to DJ on top of Japanese rooftops, and on fine soundsystems, and get paid well. Fair play to him. So this one comes from the NME around &#8217;97 or &#8217;98 when the New Hard Left was going strong and was written by journalist and all round good chap Kevin Braddock. Thanks to Andrew McColgan of Racket Racket.]]></description>
		<wfw:commentRss>http://testpressing.org/2012/04/the-nme-dj-harvey-piece-new-hard-left/feed/</wfw:commentRss>
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		<item>
		<title>Simon Jeffes Interview / Womad</title>
		<link>http://testpressing.org/2012/03/simon-jeffes-interview-womad/</link>
		<comments>http://testpressing.org/2012/03/simon-jeffes-interview-womad/#comments</comments>
		<pubDate>Tue, 27 Mar 2012 21:07:27 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Penguin Cafe Orchestra]]></category>
		<category><![CDATA[Simon Jeffes]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=15335</guid>
		<description><![CDATA[This interview with Simon Jeffes of the Penguin Cafe Orchestra is from 1985 and comes from the Womad compilation Talking Book Volume One: An Introduction. Jeffes was a true great in our book and this is a lovely interview giving a little insight into the Penguin Cafe. (Please excuse the good doctors dodgy scanning ha.)]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>INTERVIEW / STUART LEATH / EMOTIONAL RESCUE / EMOTIONAL RESPONSE</title>
		<link>http://testpressing.org/2012/02/interview-stuart-leath-emotional-rescue-emotional-response/</link>
		<comments>http://testpressing.org/2012/02/interview-stuart-leath-emotional-rescue-emotional-response/#comments</comments>
		<pubDate>Mon, 27 Feb 2012 17:22:32 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Bob Chance]]></category>
		<category><![CDATA[Emotional Rescue]]></category>
		<category><![CDATA[Emotional Response]]></category>
		<category><![CDATA[International Times]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Label]]></category>
		<category><![CDATA[Stuart Leath]]></category>
		<category><![CDATA[Suns Of Arqa]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=15191</guid>
		<description><![CDATA[Interview took place 13:30 GMT, 22:30 JT. One was about to go for a run, the other was opening a bottle of wine. Dr Rob (DR) / First question, who are Emotional Rescue &#038; Emotional Response? Stuart Leath (SL) / Emotional Response &#038; Rescue are me and Chris Galloway. It&#8217;s just me and Chris. Though we are working with Village Green on our designs and have a photographer involved for the Emotional Response artwork. DR / How did you meet Chris? I met him through Pure Pleasure Music and buying records. SL / Yes me too I guess. A bit hazy. It was either that or when Soft Rocks came up for a night or something. I get down to Brighton a bit, so would pop in and he&#8217;d open up wherever he was for me. But we actually decided to start the labels when we bumped into each other in Ibiza. Chris was DJing at the Folk festival. The partnership happened really easily. It&#8217;s a small scene, as you know, and the Soft Rocks guys are such top blokes. They are not too serious, easy to take the piss out of, but they love music and are always looking [...]]]></description>
		<wfw:commentRss>http://testpressing.org/2012/02/interview-stuart-leath-emotional-rescue-emotional-response/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>The Face / DJ Harvey / Interview / July 1997</title>
		<link>http://testpressing.org/2012/01/dj-harvey-interview-the-face-july-1997/</link>
		<comments>http://testpressing.org/2012/01/dj-harvey-interview-the-face-july-1997/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 13:09:09 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[THE FACE]]></category>
		<category><![CDATA[DJ Harvey]]></category>
		<category><![CDATA[Interview]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=14581</guid>
		<description><![CDATA[Thanks to Phil Mison.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>David Rodigan / Interview</title>
		<link>http://testpressing.org/2012/01/david-rodigan-interview/</link>
		<comments>http://testpressing.org/2012/01/david-rodigan-interview/#comments</comments>
		<pubDate>Tue, 03 Jan 2012 16:48:50 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[David Rodigan]]></category>
		<category><![CDATA[Interview]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=14549</guid>
		<description><![CDATA[As Rodigan gets his well earned MBE for services to broadcasting I thought I&#8217;d run this little interview that I did for a website I was working on for Kiss a few years back. David Rodigan is an industry legend, period. For the last 30 years he’s spread good, good reggae and dancehall to the masses, and since 1990 he’s done so on Kiss. Here he talks dancefloor democracy, the history of Kiss, Perry Mason and why it’s all about the guy in Hornchurch. How did you get into music in the first place? It was the 1960s, Ready Stay Go was the hit TV show, there was early ska music and I was a young mod. I heard Prince Buster’s ‘Ten Commandments’ and ‘Al Capone’, two iconic recordings at that time, and I got hooked. What turned me on to that music was the rhythmic pressure and this crazy beat that was the wrong way round. It was so infectious. Describe your style&#8230; I will play anything from the hottest dubplate to something from the early 1960s – I believe you should play across the board and entertain most of the people. What’s the buzz of being a DJ? [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>The Face / D-Train / The Dance Express</title>
		<link>http://testpressing.org/2011/08/d-train-the-dance-express/</link>
		<comments>http://testpressing.org/2011/08/d-train-the-dance-express/#comments</comments>
		<pubDate>Fri, 19 Aug 2011 16:59:41 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[THE FACE]]></category>
		<category><![CDATA[1983]]></category>
		<category><![CDATA[D-Train]]></category>
		<category><![CDATA[The Face]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=13364</guid>
		<description><![CDATA[Piece by Robert Elms with photography by Kate Simon. Taken from The Face, July 1983.]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Vox / David Crosby On Drug Abuse</title>
		<link>http://testpressing.org/2011/08/david-crosby-on-drug-abuse/</link>
		<comments>http://testpressing.org/2011/08/david-crosby-on-drug-abuse/#comments</comments>
		<pubDate>Wed, 03 Aug 2011 12:13:50 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[David Crosby]]></category>
		<category><![CDATA[Drugs]]></category>

		<guid isPermaLink="false">http://dev.testpressing.org/?p=12582</guid>
		<description><![CDATA[Taken from Vox magazine July 1993. Interview by Steve Mains, photography (nice image!) by Barry Marsden. ‘I could get drugs delivered quicker than a pizza…’.]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>i-D / DJ Of The Month / Tony Humphries</title>
		<link>http://testpressing.org/2011/07/i-d-dj-of-the-month-tony-humphries/</link>
		<comments>http://testpressing.org/2011/07/i-d-dj-of-the-month-tony-humphries/#comments</comments>
		<pubDate>Tue, 05 Jul 2011 18:15:31 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[house]]></category>
		<category><![CDATA[i-D]]></category>
		<category><![CDATA[Tony Humphries]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=8610</guid>
		<description><![CDATA[Taken from i-D July 1992. We went to see Tony Humphries DJ at the Hacienda once. We were on the dancefloor and it all kicked off between some of Humphries crew and some of the Manc lot. &#8220;Hey man I&#8217;m with Tony Humphries&#8221; they said in a &#8216;you-can&#8217;t-touch-me-kind-of-way&#8217;. &#8220;I&#8217;ll blow your legs off pal&#8221; came the reply in a deep Man accent. We moved pretty quick. My old hairdresser Andy who used to have the barbers under the Hacienda once said the sound he most associates most with the club is the noise of chair legs being snapped as people smashed them up ready for a row. It was messy in that bit under the DJ but the night Humphries played it was that brilliant mix of European and US stuff. A don. [Apiento]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Phil Mison / An Evening With / Mixtape</title>
		<link>http://testpressing.org/2011/07/party-phil-mison-an-evening-with-mixtape/</link>
		<comments>http://testpressing.org/2011/07/party-phil-mison-an-evening-with-mixtape/#comments</comments>
		<pubDate>Mon, 04 Jul 2011 13:25:54 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[THE FEED]]></category>
		<category><![CDATA[Claremont]]></category>
		<category><![CDATA[Loft]]></category>
		<category><![CDATA[Party]]></category>
		<category><![CDATA[Phil Mison]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=8575</guid>
		<description><![CDATA[Be rude not to write about this one&#8230; A whole night with Phil playing music for just over a fiver will be brilliant from the off. I&#8217;ll not say much more but recommend heavily and for more information you can go here. While on the subject of Phil, Faith Fanzine asked Phil to do them a mix tape for the last issue and here it is. You can also listen to it here. Here&#8217;s the piece&#8230; What other DJ can claim to have been resident at Cafe del Mar during its peak period of the ‘Chill out’ phenomenon, paving the way for all those festivals full of Guardian-reading, lentil-munching folk who went to school with David Cameron? Actually that’s not his fault as he is one fucking hell of a DJ with a deep knowledge and love of the music and a party. Phil didn’t choose this mixtape for you to play while you lay back and chill as your Cath Kidston, welly-wearing wife keeps Oliver and Lucinda out of the circus tent, but for you and your skanky pals to munch on a couple of little green fellas and a cold Union beer. Pastor TL Barrett – Like a [...]]]></description>
		<wfw:commentRss>http://testpressing.org/2011/07/party-phil-mison-an-evening-with-mixtape/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>NME / Real Wild Child  / Raul Orellana Interview</title>
		<link>http://testpressing.org/2011/06/nme-real-wild-child-raul-orellana-piece/</link>
		<comments>http://testpressing.org/2011/06/nme-real-wild-child-raul-orellana-piece/#comments</comments>
		<pubDate>Wed, 15 Jun 2011 21:07:55 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[1989]]></category>
		<category><![CDATA[NME]]></category>
		<category><![CDATA[Raul Orellana]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=8335</guid>
		<description><![CDATA[From the NME 14th October 1989. I like the bit about him and Weatherall going record shopping&#8230; Thanks to Phil Mison.]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Mike Allen / DJ / Presenter / Capital Radio Legend</title>
		<link>http://testpressing.org/2011/06/interview-mike-allen/</link>
		<comments>http://testpressing.org/2011/06/interview-mike-allen/#comments</comments>
		<pubDate>Sun, 12 Jun 2011 18:52:15 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Advert]]></category>
		<category><![CDATA[B Boy]]></category>
		<category><![CDATA[Capital]]></category>
		<category><![CDATA[DJ Cheese]]></category>
		<category><![CDATA[Graffiti]]></category>
		<category><![CDATA[Hip-Hop]]></category>
		<category><![CDATA[Mantronix]]></category>
		<category><![CDATA[Mike Allen TDK]]></category>
		<category><![CDATA[Public Enemy]]></category>
		<category><![CDATA[Radio]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=8272</guid>
		<description><![CDATA[I love the internet and its ability to move you around a topic. The other day via Facebook I saw a Groove Records rundown from the Mike Allen Capital Rap Show and then had a dig about and ended up finding an interview with the man himself courtesy of long time B-Boys the Essex Rockerz (check their Flickr page for graffiti goodness) via Charlie Dark&#8217;s Nike Run Dem Crew Twitter feed. That right there is the joys of the internet for me. Anyway, back on topic, here&#8217;s the interview with Mike Allen courtesy of Mark &#38; Howard of the Essex Rockerz. Mark/Howard: Well obviously firstly, thanks for doing this Mike. The first area we would like to talk about is, although we knew you from hip hop, you were quite a major player in the soul weekender/jazz funk scene? MA: What happened, I joined Capital in 1975 and prior to doing that I’d been a professional disc jockey, in other words I’d relied on playing records for a living since 1970. So I had my own sound system, employees, road crew and stuff like that, so when I joined capital in 1975, they started getting excited about doing gigs. So [...]]]></description>
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		<item>
		<title>The Face / Barney Bubbles Interview</title>
		<link>http://testpressing.org/2011/05/the-face-barney-bubbles/</link>
		<comments>http://testpressing.org/2011/05/the-face-barney-bubbles/#comments</comments>
		<pubDate>Fri, 13 May 2011 13:01:14 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[DESIGN]]></category>
		<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[LOOK]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[THE FACE]]></category>
		<category><![CDATA[1981]]></category>
		<category><![CDATA[Barney Bubbles]]></category>
		<category><![CDATA[November]]></category>
		<category><![CDATA[The Face]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=7854</guid>
		<description><![CDATA[This one comes from The Face in November 1981 and is a great interview with celebrated graphic designer Barney Bubbles. If you are interested in reading more on Mr Bubbles there is a great book out that has recently been updated. Love the self portrait.]]></description>
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		<item>
		<title>i-D / Jah Wobble / Boy&#8217;s Own Ad</title>
		<link>http://testpressing.org/2011/04/i-d-magazine-jah-wobble-boys-own-ad/</link>
		<comments>http://testpressing.org/2011/04/i-d-magazine-jah-wobble-boys-own-ad/#comments</comments>
		<pubDate>Mon, 04 Apr 2011 09:52:32 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[1990]]></category>
		<category><![CDATA[Andrew Weatherall]]></category>
		<category><![CDATA[Bomba]]></category>
		<category><![CDATA[i-D]]></category>
		<category><![CDATA[Jah Wobble]]></category>
		<category><![CDATA[November]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=7541</guid>
		<description><![CDATA[While on the subject of Boy&#8217;s Own and all things related here&#8217;s another piece from the same i-D as the Rocky and Diesel piece with Jah Wobble talking about hooking up with Weatherall for &#8216;Bomba&#8217; and a nice ad from the Boy&#8217;s Own crew. Sample quote &#8211; &#8216;Ream Italian house music at it&#8217;s pumping best.&#8217;]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>i-D / DJs Of The Month /  Rocky &amp; Diesel</title>
		<link>http://testpressing.org/2011/04/i-d-magazine-rocky-diesel-djs-of-the-month/</link>
		<comments>http://testpressing.org/2011/04/i-d-magazine-rocky-diesel-djs-of-the-month/#comments</comments>
		<pubDate>Mon, 04 Apr 2011 09:43:26 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[1990]]></category>
		<category><![CDATA[balearic]]></category>
		<category><![CDATA[DJ]]></category>
		<category><![CDATA[i-D]]></category>
		<category><![CDATA[magazine]]></category>
		<category><![CDATA[Rocky & Diesel]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=7538</guid>
		<description><![CDATA[This one comes from i-D magazine November 1990. Good chart from the boys.]]></description>
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		<item>
		<title>The Face / Philip Sallon Interview</title>
		<link>http://testpressing.org/2011/03/the-face-philip-sallon-interview/</link>
		<comments>http://testpressing.org/2011/03/the-face-philip-sallon-interview/#comments</comments>
		<pubDate>Fri, 18 Mar 2011 21:33:48 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[THE FACE]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=7375</guid>
		<description><![CDATA[This one is taken from the July 1984 edition of The Face. Philip Sallon talks about the Mud Club. Love the journalist, Fiona Russell Powell&#8217;s description of the music at the club.]]></description>
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		<item>
		<title>The Face / Prince Interview</title>
		<link>http://testpressing.org/2011/03/the-face-prince-interview-1983/</link>
		<comments>http://testpressing.org/2011/03/the-face-prince-interview-1983/#comments</comments>
		<pubDate>Fri, 18 Mar 2011 18:01:38 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[THE FACE]]></category>
		<category><![CDATA[1983]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[magazine]]></category>
		<category><![CDATA[Prince]]></category>
		<category><![CDATA[The Face]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=7368</guid>
		<description><![CDATA[Prince interview by Carol Cooper taken from The Face in June 1983. Great photo. Just watched the Omnibus program on him from &#8217;91 and it&#8217;s pretty amazing stuff. Sheila E and a tour of his house. What more could you want. [Apiento]]]></description>
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		<item>
		<title>The Face / Malcolm McLaren Interview</title>
		<link>http://testpressing.org/2011/03/the-face-malcolm-mclaren-interview/</link>
		<comments>http://testpressing.org/2011/03/the-face-malcolm-mclaren-interview/#comments</comments>
		<pubDate>Thu, 10 Mar 2011 22:26:27 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[THE FACE]]></category>
		<category><![CDATA[1983]]></category>
		<category><![CDATA[Duck Rock]]></category>
		<category><![CDATA[June]]></category>
		<category><![CDATA[Malcolm McLaren. The Face]]></category>
		<category><![CDATA[Paul Rambali]]></category>
		<category><![CDATA[VIrgin Records]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=7300</guid>
		<description><![CDATA[This one is taken from The Face in June 1983. Paul Rambali goes duck rock with the don Malcolm.]]></description>
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		<item>
		<title>Dog Eat Dog</title>
		<link>http://testpressing.org/2011/02/interview-dog-eat-dog/</link>
		<comments>http://testpressing.org/2011/02/interview-dog-eat-dog/#comments</comments>
		<pubDate>Mon, 28 Feb 2011 22:11:37 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[80s]]></category>
		<category><![CDATA[Art & Design]]></category>
		<category><![CDATA[Basquait]]></category>
		<category><![CDATA[Claremont 56]]></category>
		<category><![CDATA[disco]]></category>
		<category><![CDATA[Dog Eat Dog]]></category>
		<category><![CDATA[Funk]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Keith Haring]]></category>
		<category><![CDATA[Linda Pitt]]></category>
		<category><![CDATA[Manhattan]]></category>
		<category><![CDATA[Martha Fiskin]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[NYC]]></category>
		<category><![CDATA[Punk]]></category>
		<category><![CDATA[Soody Sisco]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=7209</guid>
		<description><![CDATA[Soody Sisco, Martha Fiskin and Linda Pitt made up the core of Dog Eat Dog, an early 80s punk funk band out of NYC who were sassy, smart and fun. Think along the lines of Liquid Liquid or ESG and you are on the right lines. Claremont 56 have been lucky enough to get their hands on unreleased recordings from the band consisting of live tracks and studio sessions which will be released mid-March in a lovely Keith Haring sleeve. As massive fans of that era in New York we asked the band if we could interview them and talk about those times and they kindly said yes&#8230; Photography: Paula Court So who met who first? Where were you living? Were you at college when you met? What were you studying? Soody: Linda and I went to High School together in Piscataway, New Jersey. We met working on a school publication. I went to college with Martha. A friend introduced me to David Wald and then David brought in Kevin. Linda: Soody and I met up during High School. We met up again in our last year of college, there we met Martha. I studied art. Martha: I met Soody [...]]]></description>
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		<item>
		<title>Finger (Switzerland) / Wally Badarou Interview</title>
		<link>http://testpressing.org/2011/02/magazine-finger-switzerland/</link>
		<comments>http://testpressing.org/2011/02/magazine-finger-switzerland/#comments</comments>
		<pubDate>Fri, 18 Feb 2011 23:44:57 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Finger]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[magazine]]></category>
		<category><![CDATA[Wally Badarou]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=7124</guid>
		<description><![CDATA[I love the postman. Not literally, just when he delivers something you are not expecting. I was lucky enough to just get sent some back issues of the rather nice Finger magazine out of Zurich, Switzerland. There is a fair chance you haven&#8217;t seen it but basically it&#8217;s the dream magazine for a lot of us. It&#8217;s a magazine of lists, that has additional slightly longer interviews. Not massive longer, just slightly. I&#8217;ve always loved charts as they are such an honest keeper of history. You can&#8217;t mess about with charts. If you chart a bad record it stays in there and in ten years time folk can still see it. The honesty level is great. You can&#8217;t re-write a chart. Also, finding out what music people you like and love are into is always one of the best ways to find out about new stuff. When you have someone with great taste recommending you their favourite records you instantly want to get on YouTube (weird how that has become the jukebox of choice &#8211; maybe cause you know it&#8217;ll probably be there) and check them out. So fairplay to Adrian and the chaps and chapesses at Finger for creating [...]]]></description>
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		<item>
		<title>NME / Acid The Phuture  / Paul Oakenfold Interview</title>
		<link>http://testpressing.org/2011/01/nme-acid-the-phuture-by-sarah-champion-paul-oakenfold-interviewed-by-paolo-hewitt/</link>
		<comments>http://testpressing.org/2011/01/nme-acid-the-phuture-by-sarah-champion-paul-oakenfold-interviewed-by-paolo-hewitt/#comments</comments>
		<pubDate>Wed, 19 Jan 2011 11:55:49 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[1988]]></category>
		<category><![CDATA[808 State]]></category>
		<category><![CDATA[Acid]]></category>
		<category><![CDATA[Acid House]]></category>
		<category><![CDATA[Manchester]]></category>
		<category><![CDATA[NME]]></category>
		<category><![CDATA[Paul Oakenfold]]></category>
		<category><![CDATA[Press]]></category>
		<category><![CDATA[Sarah Champion]]></category>
		<category><![CDATA[Shoom]]></category>
		<category><![CDATA[Spectrum]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=6857</guid>
		<description><![CDATA[Looks like the NME got well acid house in October &#8217;88. If you haven&#8217;t seen these they came courtesy of the Archived Music Press (via Legendary Children) and are a fine read. There&#8217;s more on the Archived Music Press site to have a dig through.]]></description>
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		</item>
		<item>
		<title>Trevor Jackson</title>
		<link>http://testpressing.org/2011/01/interview-trevor-jackson/</link>
		<comments>http://testpressing.org/2011/01/interview-trevor-jackson/#comments</comments>
		<pubDate>Sun, 16 Jan 2011 14:08:18 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Batcave]]></category>
		<category><![CDATA[Bite It!]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Fridge]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Kieran Hebden]]></category>
		<category><![CDATA[LABELS]]></category>
		<category><![CDATA[New Order]]></category>
		<category><![CDATA[Output]]></category>
		<category><![CDATA[soulwax]]></category>
		<category><![CDATA[Trevor Jackson]]></category>
		<category><![CDATA[Warehouse parties]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=6792</guid>
		<description><![CDATA[Right, here’s the next of our pretty irregular Test Pressing interviews – this time with Trevor Jackson of Underdog/Output fame. Trevor has long been known for his music but is also a hugely respected graphic designer so we decided to use the sleeves discussed to illustrate the interview. It’s good to interview someone whose not scared of being forthright and having strong opinions. I was first made aware of Trevor through his work as the Underdog – firstly with The Brotherhood and then in turn with mixes for Massive Attack amongst others. From there it was a short step (through tough times by the sound of it) to starting East-London based Output recordings with releases from LCD Soundsystem and Kieran Hebden’s Four Tet. Right let’s kick off with the basics. Where are you from originally? I’m from Edgeware, North West London. What was it like? What was the first scene you got into? When I was 12, or 13, Edgware was mainly a Jewish area, there was a whole scene almost like the Jewish version of casuals called Becks, all these kids that would wear Fiorucci and Kickers and hang out at Edgware station. It was a big thing at [...]]]></description>
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		<item>
		<title>i-D / DJ Of The Month / Nicky Holloway</title>
		<link>http://testpressing.org/2011/01/i-d-dj-of-the-month-nicky-holloway/</link>
		<comments>http://testpressing.org/2011/01/i-d-dj-of-the-month-nicky-holloway/#comments</comments>
		<pubDate>Mon, 03 Jan 2011 18:11:39 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[1988]]></category>
		<category><![CDATA[Acid House]]></category>
		<category><![CDATA[i-D]]></category>
		<category><![CDATA[Nicky Holloway]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=6475</guid>
		<description><![CDATA[This one comes from i-D &#8211; October &#8217;88 edition. Nicky Holloway already has a bit of a CV by this point and clearly had an eye for taking it to the masses.]]></description>
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		</item>
		<item>
		<title>111 / Gala Drop / Interview</title>
		<link>http://testpressing.org/2010/12/111-gala-drop-interview/</link>
		<comments>http://testpressing.org/2010/12/111-gala-drop-interview/#comments</comments>
		<pubDate>Wed, 29 Dec 2010 11:15:27 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[LISTEN]]></category>
		<category><![CDATA[MIXES]]></category>
		<category><![CDATA[PODCAST NEW]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Gala Drop]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Mix]]></category>

		<guid isPermaLink="false">http://dev.testpressing.org/?p=12069</guid>
		<description><![CDATA[One of our favourite records of the year was the Gala Drop 12&#8243; on Golf Channel so we got in touch with Nelson Gomes (below) of Gala Drop to ask for a mix and also a few quick questions on the band and what it&#8217;s all about. The mix shows their eclectic tastes are and the interview hopefully explains more on the band and where they are going in 2011. Picture by Marta Pina Who is Gala Drop? Me, Afonso, Guilherme and Tiago. Where are you based? Lisbon. How did you guys meet? We all met in different periods in time (between 2003-2005) at a place called ZDB where i used to be the music programmer. What do you each bring to the party? Electronics, guitar, percussion and drums. How did the hook up with Golf Channel come about? Tiago met Phil a few years ago in New York and gave him a copy of our first record at the time. Phil loved the record and suggest that would be great do something with us in the future. Have you been to one of their parties in NYC yet? It&#8217;s on our list of things to do&#8230; We played at [...]]]></description>
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		<slash:comments>0</slash:comments>
<enclosure url="http://testpressing.org/audio/111-Gala-Drop.mp3" length="182885065" type="audio/mpeg" />
			<itunes:keywords>Gala Drop,Interview,Mix</itunes:keywords>
		<itunes:subtitle>One of our favourite records of the year was the Gala Drop 12&quot; on Golf Channel so we got in touch with Nelson Gomes (below) of Gala Drop to ask for a mix and also a few quick questions on the band and what it&#039;s all about.</itunes:subtitle>
		<itunes:summary>One of our favourite records of the year was the Gala Drop 12&quot; on Golf Channel so we got in touch with Nelson Gomes (below) of Gala Drop to ask for a mix and also a few quick questions on the band and what it&#039;s all about. The mix shows their eclectic tastes are and the interview hopefully explains more on the band and where they are going in 2011. 

Picture by Marta Pina



Who is Gala Drop?

Me, Afonso, Guilherme and Tiago.

Where are you based?

Lisbon.

How did you guys meet? 

We all met in different periods in time (between 2003-2005) at a place called ZDB where i used to be the music programmer.

What do you each bring to the party?

Electronics, guitar, percussion and drums.



How did the hook up with Golf Channel come about?

Tiago met Phil a few years ago in New York and gave him a copy of our first record at the time. Phil loved the record and suggest that would be great do something with us in the future.

Have you been to one of their parties in NYC yet? It&#039;s on our list of things to do...

We played at the party in September. was pretty amazing. I was pretty impressed with the fact that the crowd instead of being facing the band, they were raving like crazy as they do in dance clubs. 

What&#039;s the long term goal for Gala Drop?

Do good music, record music, play a lot of shows and have fun.

We heard you play live? What does the show consist of?

Yes, we do. Imagine a rock band playing dance music.

What&#039;s the scene like where you are?

Amazing. It&#039;s happening a lot of great music in such a different scales of genres.

Your mix for us is pretty eclectic - how do your different tastes filter in to the music?

I wouldn&#039;t say they got filtered, but that they help you clarifying you more in a way of what you wanna do and/or don&#039;t. I think the music you love became to be part of what you are. The music we do is a reaction to who we are.
 
What was the scene you grew up on? 

I grew in a small factory town called Barreiro in the other side of Lisbon. Was pretty raw there, but i can&#039;t complain. At the time, was happening there a lot of different things: good dance music in the clubs, a few rock shows, good African clubs, good music in the bars, a lot of loud African music in the streets of my neighborhood....good times.

Finally, tell us what you are up to so people can get involved...

We are focused right now in doing new songs for the next record, the idea is be in the studio in February 2011 and we are working in a North European tour that will take place in April.

Cheers Nelson. 

Welcome. 




Download</itunes:summary>
		<itunes:author>Test Pressing</itunes:author>
		<itunes:explicit>clean</itunes:explicit>
	</item>
		<item>
		<title>DJ Harvey</title>
		<link>http://testpressing.org/2010/12/interview-dj-harvey/</link>
		<comments>http://testpressing.org/2010/12/interview-dj-harvey/#comments</comments>
		<pubDate>Tue, 07 Dec 2010 11:27:16 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Black Cock]]></category>
		<category><![CDATA[DJ Harvey]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Sarcastic Disco]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=6609</guid>
		<description><![CDATA[Our friends in Australia, The Blackmail, got in touch to see if we wanted to run an interview that they had just done with Harvey for their site. We of course said yes. To be honest I don&#8217;t quite understand the cult that is developing around the man but you have to say he&#8217;s got it right &#8211; the parties, the space in Hawaii and living the happy life. On top of that he seems totally genuine and speaks total sense. So over to Mr Michael Kucyk of The Blackmail and on with the program&#8230; Text: Michael Kucyk Images: Harvey Bassett Spanning many scenes and sounds, Harvey Bassett has been unconsciously carving his global cult notoriety for almost 25 years. As a DJ, Harvey is like no other. His infectiously positive personality seeps into his eclectic sets that aren’t limited to meaningless genrefication and often journey for six hours. Harvey will play whatever he feels, how he feels, and will never spin a lyric out of context. Inspired by his encounters with Larry Levan, he started the lewd label Black Cock with fellow Englishman Gerry Rooney and released legendary reel-to-reel edits which became heavily sought after and widely bootlegged. With [...]]]></description>
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		<item>
		<title>Sound On Sound / Hugo Nicolson / Recording Primal Scream&#8217;s &#8216;Screamadelica&#8217;</title>
		<link>http://testpressing.org/2010/12/sound-on-sound-hugo-nicholson-on-screamadelica/</link>
		<comments>http://testpressing.org/2010/12/sound-on-sound-hugo-nicholson-on-screamadelica/#comments</comments>
		<pubDate>Thu, 02 Dec 2010 17:00:30 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Andrew Weatherall]]></category>
		<category><![CDATA[Creation Records]]></category>
		<category><![CDATA[Hugo Nicolson]]></category>
		<category><![CDATA[Remixing]]></category>
		<category><![CDATA[Screamadelica]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=6521</guid>
		<description><![CDATA[In all of this talk surrounding &#8216;Screamadelica&#8217; it would be easy to forget the pivotal role (happy) Hugo Nicolson played in those recordings. Our Tim H found this piece from Sound On Sound in November 2000 with Nicolson discussing how they did it. Sounds like limited equipment and big ideas. Time to bring back the desks and raw fx. Some of Nicolson&#8217;s best-known work is that which he did with Andy Weatherall on one of the most influential albums of the &#8217;90s — Primal Scream&#8217;s Screamadelica — and it was in landing the job of working with the famous DJ that Hugo&#8217;s experience working at The Townhouse really paid off. &#8220;While I was still at The Townhouse, I managed to get onto a session as tape-op for Adrian Sherwood, and he really opened my eyes to a much more intuitive approach to recording — I&#8217;d never seen anyone quite so aggressive with the mixing desk. He followed none of the established rules of the time, yet he got really great, interesting mixes quickly. It was really inspiring to watch and it prompted me to start working that way myself, doing everything how I felt it, allowing myself to tear the [...]]]></description>
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		<title>Chris Carter</title>
		<link>http://testpressing.org/2010/10/interview-chris-carter/</link>
		<comments>http://testpressing.org/2010/10/interview-chris-carter/#comments</comments>
		<pubDate>Sun, 03 Oct 2010 18:35:43 +0000</pubDate>
		<dc:creator>Andy Blake</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Chris Carter]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Synthesisers]]></category>
		<category><![CDATA[Throbbing Gristle]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=5956</guid>
		<description><![CDATA[Andy Blake of Dissident/Cave Paintings recently interviewed Chris Carter around the re-release of his &#8216;The Spaces Between&#8217; album on the Optimo Label. They got talking about drum machines, life in Throbbing Gristle and syths, synths and more synths. Over to Andy&#8230; Recently, I had the chance to run a few questions past Chris Carter, a genuine musical and cultural innovator. His detailed and informative answers on the various topics make a great read and if I can persuade him to go for another couple of rounds there may well be a longer, more involved piece at some point. For now though, here is the raw Q&#38;A. Can you tell me a bit about the composing and recording process for the music included on the original version and this new release of the album ‘The Spaces Between’? Did you have much of a plan for the various tracks before starting work on them or was it more of a case of turning the machines on and seeing what they had to say for themselves? My workflow for solo pieces hasn&#8217;t really changed that much but in those days, in the early 70s, it was usually a case of turning on all [...]]]></description>
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		<title>Dave Dorrell / Part Two</title>
		<link>http://testpressing.org/2010/09/interview-dave-dorell-part-two/</link>
		<comments>http://testpressing.org/2010/09/interview-dave-dorell-part-two/#comments</comments>
		<pubDate>Mon, 27 Sep 2010 18:18:57 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Dave Dorrell]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Marrs]]></category>
		<category><![CDATA[Milk Bar]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=5904</guid>
		<description><![CDATA[Here&#8217;s the second part of our interview with Dave Dorrell moving from the RAW days up to acid house, major label deals with Polydor Records, &#8216;Pump Up The Volume&#8217; and it&#8217;s lack of follow-up. Images by james McLintock. So going forwards, many of the Soul/Jazz Funk DJs took a while to adopt to the acid house thing whereby you, from what I understand, seemed to jump straight in and feel right at home. What was the appeal to you? It was at RAW when I played my first Acid House record. I had a copy of ‘Funkin With The Drums’ and I didn’t really know where it fitted. It was kind of an anomaly and no-one was writing about this stuff, no internet, so nowhere to find out what it was about. So it just existed as a bit of vinyl which I had but couldn’t play [out]. There was no scene to attach it to… There was no scene. There were no vocals. It was just a drum machine. And I think there were at the time early attempts to make similar music going on in Nottingham and Manchester. I say Nottingham specifically as Graeme Park was recreating sounds [...]]]></description>
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		<title>Hey! Convict Interview Dominik Von Senger / Unknown Cases</title>
		<link>http://testpressing.org/2010/09/interview-hey-convict-interview-dominik-von-senger/</link>
		<comments>http://testpressing.org/2010/09/interview-hey-convict-interview-dominik-von-senger/#comments</comments>
		<pubDate>Tue, 07 Sep 2010 16:53:18 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[LISTEN]]></category>
		<category><![CDATA[OTHER STUFF]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Can]]></category>
		<category><![CDATA[Dominic Von Senger]]></category>
		<category><![CDATA[Hey Convict!]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Patti Smith]]></category>
		<category><![CDATA[Phantom Band]]></category>
		<category><![CDATA[Unknown Cases]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=5729</guid>
		<description><![CDATA[Hey! Convict are Tamas Jones and Jason Evans. Over the last few years they have been forging a relationship with Dominik Von Senger of the Phantom Band, Unknown Cases and a Can cohort (amongst many other things), that resulted in the &#8216;No Name&#8217; 12 on Golf Channel a few months back. First up we have Jason describing the working process of getting the Golf Channel 12 together and then second we have the interview with Tamas and Dominik discussing Patti Smith, Can recording techniques, drum patterns and more. Here&#8217;s what Jason has to say on the record&#8230; &#8220;The original of &#8216;No Name&#8217; is from Dominik Von Senger&#8217;s &#8216;The First&#8217;, a record from &#8217;82 that i found in Melbourne the week before I moved to New York. The whole LP is pretty ace, but this track really blew me away. Anyway, a short while after i got to New York Tim Sweeney asked us to do Beats In Space and straight away that was one of the tunes I knew we had to put on the mix. Fast forward about six months after the show and we received a really nice thank you email from Dominik. He&#8217;d heard the mix and [...]]]></description>
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		<title>Dave Dorrell / Part One</title>
		<link>http://testpressing.org/2010/08/interview-dave-dorrell/</link>
		<comments>http://testpressing.org/2010/08/interview-dave-dorrell/#comments</comments>
		<pubDate>Mon, 30 Aug 2010 18:57:41 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Clubs]]></category>
		<category><![CDATA[Dave Dorrell]]></category>
		<category><![CDATA[DJ]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[London]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=5666</guid>
		<description><![CDATA[We haven&#8217;t done an interview for some time so after thinking about who to speak to we plumped for Dave Dorrell. Dorrell was involved in many of the seminal London night clubs – The Dirtbox, Batcave, RAW, Love and The Milk Bar &#8211; as well as being a journalist and manager of note for the Pet Shop Boys amongst others. There was almost too much to cover so we just started at the beginning and tried to work through the key years. Thanks to Frank Tope, Terry Farley and Pete Tong for additional questions. Dave Dorrell images by James McLintock. Wild Bunch image by Beezer. So Dave, where does it all start? Well as a child I was a hippy. My sister worked at Biba so if you want the first thing I was seven with my hair down to my waist and she took me to see the Rolling Stones in Hyde Park for the free concert. That was my first concert. Barefoot, we walked the length of Oxford Street. That was a day. What was the first scene you really got into youth culture-wise? The first thing that we really got into it was kind of the Disco/ [...]]]></description>
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		<title>Marshall Jefferson Interviewed / A History Of House</title>
		<link>http://testpressing.org/2010/08/marshall-jefferson-interviewed-a-history-of-house/</link>
		<comments>http://testpressing.org/2010/08/marshall-jefferson-interviewed-a-history-of-house/#comments</comments>
		<pubDate>Sun, 08 Aug 2010 00:40:16 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Ce Ce Rogers]]></category>
		<category><![CDATA[Chicago]]></category>
		<category><![CDATA[Marshall Jefferson]]></category>
		<category><![CDATA[Open Our Eyes]]></category>
		<category><![CDATA[Ron Hardy]]></category>
		<category><![CDATA[Ten City]]></category>
		<category><![CDATA[The Music Box]]></category>
		<category><![CDATA[Virgo]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=5597</guid>
		<description><![CDATA[I was looking at Deep House Pages and Marshall Jefferson has been getting involved taking questions from all the forum members and the stories are pretty incredible. I&#8217;ve pulled out my favourite points and it&#8217;s still pretty long so I&#8217;ll keep this intro short and sweet. The copy is as it is on the site. So get your favourite Marshall moment out, press play and read on&#8230; Posted by Julian_Kelly: Marshall, whats the history of the &#8220;House Music National Anthem&#8221; &#8230;how did that tune come to be? I heard it in my head on my job at the Post Office, but with female vocals, and different words. I got home and did the piano, bass and drums. I thought it was hot as hell, and booked a session at Lito Manlucu&#8217;s studio. Called up my buddies from the Post Office (Curtis McClain, Rudy Forbes, Thomas Carr) wrote the verse and the backgrounds in the studio. Recording and mixing time was about 3 hours total. They thought it sucked. I thought it was the hottest shit the dancefloor would ever hear, but I have quite the ego. The night, I took the song 1st to the Sheba Baby club, where Mike [...]]]></description>
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		<title>&#8216;Sup Magazine / Robin Guthrie Interview</title>
		<link>http://testpressing.org/2010/08/sup-magazine-robin-guthrie-interview/</link>
		<comments>http://testpressing.org/2010/08/sup-magazine-robin-guthrie-interview/#comments</comments>
		<pubDate>Thu, 05 Aug 2010 18:24:42 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA['Sup]]></category>
		<category><![CDATA[Cocteau Twins]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Robin Guthrie]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=5509</guid>
		<description><![CDATA[The new &#8216;Sup Magazine is out and about. If you see one pick it up. It&#8217;s well designed and has a good broad section of interviews without being too try hard. This issue has interviews with Hot Chip, Beach House, Gonzales, Nicolas Jaar and a New York house special with Conneticut&#8217;s Underground Quality gang. You can pick it up in East and central London easily but I&#8217;m not sure about the rest of the country. They have a website so maybe you can find out there. Our favourite piece from this issue is this interview with the Cocteau Twin&#8217;s Robin Guthrie. I have never read an interview with him, but his work speaks for itself so I was interested. I&#8217;d heard he was a miserable bastard but it seems the polar opposite is true. He speaks a whole lot of sense and it&#8217;s refreshing to hear someone unafraid to mince their words and not bother playing the PR game which is so commonplace these days. Love the bit where he is on about people that take 15 years to make pop records not being the geniuses they are heralded as but actually being &#8216;fucking retarded&#8217;. Here it is if you [...]]]></description>
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		<title>Underground Resistance Special On WDET / Detroit / Mike Banks Interview</title>
		<link>http://testpressing.org/2010/07/underground-resistance-special-on-wdet-detroit-mike-banks-interview/</link>
		<comments>http://testpressing.org/2010/07/underground-resistance-special-on-wdet-detroit-mike-banks-interview/#comments</comments>
		<pubDate>Wed, 28 Jul 2010 10:32:51 +0000</pubDate>
		<dc:creator>Giacomo</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[LISTEN]]></category>
		<category><![CDATA[PIECES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[VIDEO]]></category>
		<category><![CDATA[WATCH]]></category>
		<category><![CDATA[Jeff Mills. Interview]]></category>
		<category><![CDATA[Mad Mike]]></category>
		<category><![CDATA[Mix]]></category>
		<category><![CDATA[Underground Resistance]]></category>

		<guid isPermaLink="false">http://dev.testpressing.org/?p=12511</guid>
		<description><![CDATA[Our Giacomo is a mysterious chap. He rarely surfaces but when he does it&#8217;s with the best in techno. He&#8217;s back, and with some underground goodies&#8230; WDET broadcasts out of Wayne State University. Billing itself as &#8216;Detroit Public Radio&#8217;, the station has been around in one form or another since 1949, when it was set up by the United Auto Workers Union. Back in 2004, Underground Resistance had been around for about 15 years. As part of a monthly segment called &#8216;Electronic Focus,&#8217; WDET&#8217;s Liz Copeland and guest presenter Clark Warner broadcast a UR special, complete with a lengthy and interesting interview with Mike Banks. Mike talks about the history of UR, the role of Ron Murphy, meeting Kraftwerk, a Swiss dynamite factory, misperceptions of &#8216;the Ghetto&#8217; and so on. If you&#8217;re into techno, or merely want to get some mid-noughties Detroit slang to work into everyday speech, it&#8217;s well worth a listening. There&#8217;s also, obviously, some great music. Current favourite with us is the X-102 tune. A bit more on X-102 from Jeff&#8230; Rico Passerani uploaded the interview, which we came across via Technopodcast.com Here&#8217;s the tracklist: Underground Resistance &#8211; Elimination Underground Resistance &#8211; Riot Mad Mike &#8211; Death [...]]]></description>
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		<title>i-D / DJ Of The Month / Danny Rampling</title>
		<link>http://testpressing.org/2010/05/i-d-magazine-dj-danny-rampling/</link>
		<comments>http://testpressing.org/2010/05/i-d-magazine-dj-danny-rampling/#comments</comments>
		<pubDate>Sat, 15 May 2010 10:35:32 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[1990]]></category>
		<category><![CDATA[Danny Rampling]]></category>
		<category><![CDATA[DJ]]></category>
		<category><![CDATA[i-D]]></category>
		<category><![CDATA[Piece]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=4823</guid>
		<description><![CDATA[Taken from the December 1990 issue when Pure was in full swing at the Milk Bar.]]></description>
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		<title>Faith / Mike Pickering Interview</title>
		<link>http://testpressing.org/2010/05/faith-magazine-mike-pickering-interview/</link>
		<comments>http://testpressing.org/2010/05/faith-magazine-mike-pickering-interview/#comments</comments>
		<pubDate>Thu, 13 May 2010 22:34:06 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Acid House]]></category>
		<category><![CDATA[Faith Fanzine]]></category>
		<category><![CDATA[Hacienda]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Mike Pickering]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=4799</guid>
		<description><![CDATA[The last issue of the Faith fanzine was one of the best for a long long time. From Kevin Rowlands picking the records that mattered to him to this interview with Mike Pickering of Hacienda and Quando Quango fame which we asked to get a copy of for Test Pressing. Good work chaps. Thanks to Jimmy P, Terry Farley and the Faith peoples.]]></description>
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		<title>Phil Mison / Cantoma  And Joel Martin / Quiet Village In Conversation</title>
		<link>http://testpressing.org/2010/04/phil-mison-cantoma-and-joel-martin-quiet-village-in-conversation/</link>
		<comments>http://testpressing.org/2010/04/phil-mison-cantoma-and-joel-martin-quiet-village-in-conversation/#comments</comments>
		<pubDate>Wed, 28 Apr 2010 13:21:54 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Cantoma]]></category>
		<category><![CDATA[Joel Martin]]></category>
		<category><![CDATA[Phil Mison]]></category>
		<category><![CDATA[Quiet Village]]></category>

		<guid isPermaLink="false">http://dev.testpressing.org/?p=12595</guid>
		<description><![CDATA[Phil Mison&#8217;s Cantoma album is released soon on Leng/Claremont so we thought we&#8217;d put Phil in conversation with Joel Martin of Quiet Villiage to get some thoughts on music, the internet, finding new music and their clubbing pasts. Test Pressing: Easy one for 5&#8230; When did you two first meet each other? P: We first met properly through Oscar from Trax (London record shop). You gave me some CDs with mixes on and then I think we were doing a party in West Hampstead and you came down and played, Gerry (Rooney) played, and DJ Gareth (friend of Phil&#8217;s who live and hung out in NYC for years) played. It was a good party. J: Gareth! He would tell you a little story about the records he played. Like I remember when he played Dennis Parker &#8216;Like An Eagle&#8217; and he&#8217;d say about everyone in 12 West (an early club in NYC) where Tom Savarese was DJing&#8230; P: Yeah I remember that. Apparently they had some massive steps at the back and loads of dancers would be doing a dance waving their arms like birds. Test Pressing: You both put a lot of value in hunting down records for yourself, [...]]]></description>
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		<title>Steve Reich / Maker Of Harmonic Invention / Red Bull Music Academy</title>
		<link>http://testpressing.org/2010/02/steve-reich-maker-of-harmonic-invention-red-bull-music-academy/</link>
		<comments>http://testpressing.org/2010/02/steve-reich-maker-of-harmonic-invention-red-bull-music-academy/#comments</comments>
		<pubDate>Tue, 16 Feb 2010 13:34:18 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
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		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Red Bull Academy]]></category>
		<category><![CDATA[Steve Reich]]></category>

		<guid isPermaLink="false">http://dev.testpressing.org/?p=12604</guid>
		<description><![CDATA[So today we got invited to the Red Bull Music Academy to hear Steve Reich (pronounced Risch) talk. Hearing Reich talk about his life and work is very inspiring. He starts with his initial tape experiments with loops and phasing whilst working as a cab driver, and in turn a postman (due to crashing the cab), moves through his 1970 trip to Ghana and then plays two phases from his seminal &#8216;Music For 18 Musicians&#8217; (to avoid discussing it). It was, to say the least, a very informative two hours and to hear him play &#8216;Music For 18 Musicians&#8217; on the RBMA&#8217;s ridiculously big Genelec speakers was pretty special. Along with many others I would have been quite happy to hear the whole 56 minutes of the piece. His love of John Coltrane is discussed (Reich apparently saw Coltrane over 50 times), with his favourite Coltrane album being &#8216;Africa/Brass&#8217;. Reich describes this as a piece of &#8216;incredible melodic invention&#8217; with Coltrane &#8216;screaming noise&#8217; in the piece. He described the clear influences on his work as being its, &#8216;rhythmic complexity, timbral variety and harmonic invention&#8217;. In the same breath he also mentions Jr Walkers &#8216;Shotgun&#8217; which was released at the same [...]]]></description>
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		<title>Expletive Undeleted / Andrew Weatherall</title>
		<link>http://testpressing.org/2010/01/interview-andrew-weatherall/</link>
		<comments>http://testpressing.org/2010/01/interview-andrew-weatherall/#comments</comments>
		<pubDate>Mon, 25 Jan 2010 10:09:07 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[VIDEO]]></category>
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		<category><![CDATA[Andrew Weatherall]]></category>
		<category><![CDATA[Interview]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=3559</guid>
		<description><![CDATA[Good interview from Expletive Undeleted with Andrew Weatherall discussing being narky in the early days, MP3s and the reforming of PiL. Refreshing to see something raw in this day and age. Nice work chaps. Thanks to Andy Crysell for the heads up.]]></description>
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		<title>Brian Eno / Eno&#8217;s Favourite Productions</title>
		<link>http://testpressing.org/2010/01/tv-brian-enos-favourite-productions/</link>
		<comments>http://testpressing.org/2010/01/tv-brian-enos-favourite-productions/#comments</comments>
		<pubDate>Sat, 23 Jan 2010 10:33:40 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
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		<category><![CDATA[Arena Documentary]]></category>
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		<category><![CDATA[Brian Eno]]></category>
		<category><![CDATA[Donna Summer]]></category>
		<category><![CDATA[The Beatles]]></category>
		<category><![CDATA[The Lafayettes]]></category>
		<category><![CDATA[The Velvet Underground]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=3539</guid>
		<description><![CDATA[Great Arena last night on BBC4 covering the work and life of Brian Eno. Eno gave Arena access to observe him working in the studio and talking with friends and colleagues including Richard Dawkins, Malcolm Gladwell, David Whittaker and Steve Lillywhite. Here he talks about his favourite productions. Donna Summer: Sate of Independence &#8220;Produced by Giorgio Moroder, it&#8217;s an amazing production. Putting the crudely mechanical, duugguder dugguder dugguder, this kind of Germanic robot thing, against the incredibly sexy emotional organic gospel singing. It sounded so far ahead of people who thought they were making modern music.&#8221; The Beatles: Tomorrow Never Knows &#8220;Again very important for me because it was very clear that song didn&#8217;t exist before it got to the studio (plays the song on a guitar). You know&#8230; It wouldn&#8217;t have been, well I am sure it wouldn&#8217;t have been as crappy as that (referencing version he just played) but that&#8217;s the kind of thing it would have been and yet it turned into this amazing jet stream psychedelic fantasy piece and entirely to do with electronics and with the use of the studio and with a lot of brilliant open minds.&#8221; &#8220;Then the Velvet Underground &#8211; that&#8217;s production [...]]]></description>
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		<title>i-D / Alfredo / DJ Of The Decade</title>
		<link>http://testpressing.org/2009/12/i-d-alfredo-dj-of-the-decade/</link>
		<comments>http://testpressing.org/2009/12/i-d-alfredo-dj-of-the-decade/#comments</comments>
		<pubDate>Wed, 23 Dec 2009 14:17:23 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[1990]]></category>
		<category><![CDATA[Alfredo]]></category>
		<category><![CDATA[i-D]]></category>
		<category><![CDATA[Interview]]></category>

		<guid isPermaLink="false">http://dev.testpressing.org/?p=12648</guid>
		<description><![CDATA[DJ Of The Month from i-D April 1990 – the legend that is Alfredo. Thanks to Matthew J.]]></description>
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		<title>&#8216;Sup Magazine / Carl Craig Interview</title>
		<link>http://testpressing.org/2009/10/sup-magazine-carl-craig-interview/</link>
		<comments>http://testpressing.org/2009/10/sup-magazine-carl-craig-interview/#comments</comments>
		<pubDate>Fri, 16 Oct 2009 20:20:06 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA['Sup Magazine]]></category>
		<category><![CDATA[Carl Craig]]></category>
		<category><![CDATA[Interview]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=2642</guid>
		<description><![CDATA[Carl Craig talks Dilla&#8217;s &#8216;Big Booty Express&#8217;, Steve Reich, Detroit (of course) and why Leonard Cohen&#8217;s band need to loosen up. Interview from &#8216;Sup Magazine by Kelly &#8220;K-Fresh&#8221; Frazier and photography by Dennis Duijnhouwer.]]></description>
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		<title>The Face / Sugar And Spice / David Toop Interviews Arif Mardin</title>
		<link>http://testpressing.org/2009/09/the-face-david-toop-arif-mardin-interview/</link>
		<comments>http://testpressing.org/2009/09/the-face-david-toop-arif-mardin-interview/#comments</comments>
		<pubDate>Sun, 13 Sep 2009 20:25:14 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[THE FACE]]></category>
		<category><![CDATA[1986]]></category>
		<category><![CDATA[Arif Mardin]]></category>
		<category><![CDATA[David Toop]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[The Face]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=2381</guid>
		<description><![CDATA[]]></description>
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		<title>i-D / Jose Padilla / DJ Of The Month</title>
		<link>http://testpressing.org/2009/09/i-d-jose-padilla/</link>
		<comments>http://testpressing.org/2009/09/i-d-jose-padilla/#comments</comments>
		<pubDate>Sun, 06 Sep 2009 11:00:16 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[1994]]></category>
		<category><![CDATA[Cafe Del Mar]]></category>
		<category><![CDATA[i-D]]></category>
		<category><![CDATA[Jose Padilla]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=2307</guid>
		<description><![CDATA[Taken from i-D September &#8217;94.]]></description>
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		<title>Dave Lee</title>
		<link>http://testpressing.org/2009/06/dave-lee/</link>
		<comments>http://testpressing.org/2009/06/dave-lee/#comments</comments>
		<pubDate>Sun, 21 Jun 2009 14:41:34 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Dave Lee]]></category>
		<category><![CDATA[Interview]]></category>

		<guid isPermaLink="false">http://dev.testpressing.org/?p=12676</guid>
		<description><![CDATA[Dave Lee has a new CD Sunburst Band album hitting the shops soon so we caught up with him to do a quick interview. The CD brings together all the remixes to date of The Sunburst Band and very good it is too. Anyway, the album is in the shops soon but until then here&#8217;s Dave. What is this new CD you are promoting? A new CD from The Sunburst Band, with all the best remixes we’ve had done plus a few new ones exclusive to this fantastic double CD. Some of the remixers included are Dennis Ferrer, Milton Jackson, Henrik Schwarz, DJ Meme, Grant Nelson, Idjut Boys, Yam Who, Recloose, IG Culture&#8230;.as well as a few boring ones I’ve done. Is it as bent as your other releases? It&#8217;s a bi CD&#8230; This CD will have sex with anything. Pretty much like me. But it’s maybe a bit more expensive than I am. What DJ&#8217;s have been supporting it on the scene? The remixes have been played by Carl Craig, Ashley Beedle, Gilles Peterson Jimpster, Kerri Chandler, Seamus Haji, Groove Armada, Danny Krivit, Fedde Le Grand, Danny Rampling, Dimitri From Paris, DJ Spinna, DJ Spen, Domu, Tony Humphries, Glenn [...]]]></description>
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		<title>&#8216;Sup Magazine / Map Of Africa / DJ Harvey / Thomas Bullock</title>
		<link>http://testpressing.org/2009/06/map-of-africa-dj-harvey-thomas-bullock/</link>
		<comments>http://testpressing.org/2009/06/map-of-africa-dj-harvey-thomas-bullock/#comments</comments>
		<pubDate>Sat, 20 Jun 2009 11:40:32 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA['Sup Magazine]]></category>
		<category><![CDATA[DJ Harvey]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Map Of Africa]]></category>
		<category><![CDATA[Thomas Bullock]]></category>

		<guid isPermaLink="false">http://dev.testpressing.org/?p=12563</guid>
		<description><![CDATA[This interview by Jaclyn Marinese with Map Of Africa first appeared in Issue 18 of ‘Sup Magazine.]]></description>
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		<title>The Guardian / Music From The Penguin Cafe</title>
		<link>http://testpressing.org/2009/06/last-call-for-the-pco-under-5s/</link>
		<comments>http://testpressing.org/2009/06/last-call-for-the-pco-under-5s/#comments</comments>
		<pubDate>Fri, 12 Jun 2009 19:45:17 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Music From The Penguin Cafe]]></category>
		<category><![CDATA[Penguin Cafe Orchestra]]></category>
		<category><![CDATA[The Guardian]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=1802</guid>
		<description><![CDATA[Here&#8217;s an interview with Arthur Jeffes from today&#8217;s Guardian.]]></description>
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		<title>Mixmag / Danny Rampling Profile</title>
		<link>http://testpressing.org/2009/05/danny-rampling-mixmag-profile-89/</link>
		<comments>http://testpressing.org/2009/05/danny-rampling-mixmag-profile-89/#comments</comments>
		<pubDate>Sun, 17 May 2009 21:44:49 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[MAGAZINE ARTICLES]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[1989]]></category>
		<category><![CDATA[balearic]]></category>
		<category><![CDATA[Danny Rampling]]></category>
		<category><![CDATA[Mixmag]]></category>
		<category><![CDATA[Shoom]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=1601</guid>
		<description><![CDATA[From Mixmag, December &#8217;89. Quality Top 10.]]></description>
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		<title>Dubplate Sufferah / An Interview With Dennis Bovell / Part Two</title>
		<link>http://testpressing.org/2009/05/dubplate-sufferah-an-interview-with-dennis-bovell-part-two/</link>
		<comments>http://testpressing.org/2009/05/dubplate-sufferah-an-interview-with-dennis-bovell-part-two/#comments</comments>
		<pubDate>Sat, 16 May 2009 18:44:25 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Dennis Bovell]]></category>
		<category><![CDATA[Interview]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=1487</guid>
		<description><![CDATA[Emma Warren is back with the second part of her Dennis Bovell interview. Last time man like DB told all about his early days as a producer, and about hanging about outside cutting houses whilst Jah Shaka prepped his soundbombs. In the second part of his interview about cutting houses, how disco stole Sly and Robbie&#8217;s flying cymbal and turning sound system clashes into band clashes. How much of a disadvantage were you at, making English reggae? And how much of a problem was it that you didn’t come from Jamaica in the first place [Bovell moved to the UK from Barbados aged 12]? I had to go the extra mile. I had to make sure my stuff was stinging. By the time I done &#8216;Silly Games&#8217;, I showed them my craft and it was totally FM sounding and wasn’t off the radio – still isn’t off the radio! – and I’d created a new drum beat. The intention was to make every tune with that drum beat in that reggae style, but the success of it… I couldn’t. People would have thought it was all I could do. Sly Dunbar had the same one on every tune! We called [...]]]></description>
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		<title>Dubplate Sufferah / An Interview With Dennis Bovell / Part One</title>
		<link>http://testpressing.org/2009/05/dubplate-sufferah-an-interview-with-dennis-bovell-part-one/</link>
		<comments>http://testpressing.org/2009/05/dubplate-sufferah-an-interview-with-dennis-bovell-part-one/#comments</comments>
		<pubDate>Fri, 08 May 2009 19:28:48 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Dennis Bovell]]></category>
		<category><![CDATA[Interview]]></category>

		<guid isPermaLink="false">http://testpressing.org/?p=1486</guid>
		<description><![CDATA[Emma Warren interviews the UK reggae legend that is Dennis Bovell. Dennis Bovell was born in Barbados and moved to England when he was 12. At school in Wandsworth he discovered tape looping, with the help of a broom handle, and created his own cut-up of Bob and Marcia&#8217;s &#8216;Young, Gifted And Black&#8217; with a teacher-performed trombone piece on top. The sound system top boy created Lover&#8217;s Rock smash &#8216;Silly Games&#8217;, formed UK reggae band Matumbi, wrote the soundtrack to seminal south london flick &#8216;Babylon&#8217; (check it if you can) and produced a host of post-punk gems from Orange Juice to The Slits to The Pop Group. But this interview is mostly about that forgotten area of UK sound system culture, the cutting house – the place where DJs and producers have been going to get their dubs cut since reggae arrived in the UK in the 1960s. The full feature, by Emma Warren, contains interviews with the UK&#8217;s foremost reggae historian Lloyd Bradley as well as drum &#8216;n&#8217; bass don DJ Zinc and Jason Goz from Transition Mastering Studios, will be in the next issue of the super-fly dancehall and grime fanzine Woofah. Pick up the print version or [...]]]></description>
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		<title>An Interview With Wally Badarou / Part Two</title>
		<link>http://testpressing.org/2009/04/an-interview-with-wally-badarou-part-two/</link>
		<comments>http://testpressing.org/2009/04/an-interview-with-wally-badarou-part-two/#comments</comments>
		<pubDate>Fri, 24 Apr 2009 17:17:39 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Barry Reynolds]]></category>
		<category><![CDATA[Chris Blackwell]]></category>
		<category><![CDATA[Compass Point]]></category>
		<category><![CDATA[Island Records]]></category>
		<category><![CDATA[Sly & Robbie]]></category>
		<category><![CDATA[Steven Stanley]]></category>
		<category><![CDATA[Wally Badarou]]></category>

		<guid isPermaLink="false">http://dev.testpressing.org/?p=12544</guid>
		<description><![CDATA[Enjoy the second part of our Wally Badarou interview as we discuss first sessions, &#8216;Echoes&#8217;, Island Records and Badarou&#8217;s favourite Compass Point moments. Take a look at Badarou&#8217;s official website for more great photos and insight. What was the first record you played on at Compass Point and what do you remember of the session? Grace Jones &#8216;Warm Leatherette&#8217;, officially; with &#8216;Nightclubbing&#8217; starters in reality. It all started unpretentiously, with the title song and a couple other tracks. Only when we cut &#8216;Private Life&#8217;, we realised something serious was in the making. Sly, Robbie, Sticky and Mickey&#8217;s ominous groove, Barry&#8217;s rock-solid pulse and hard-edged solo, Grace&#8217;s eerie combination of talked verses and sung choruses, it all triggered the melodic hook and the spacious swells I came up with. This was a very special night for all of us, as we suddenly realise each one of us key role in the sonic outcome; genuine mutual respect grew between ourselves ever since. That experience paved the way to the more substantial &#8216;Nightclubbing&#8217; album, making us more confident in what was setting us apart. Joe Cocker, Gwen Guthrie and others benefited from that momentum. The Compass Point All Stars made me specialise in [...]]]></description>
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		<title>An Interview With Wally Badarou / Part One</title>
		<link>http://testpressing.org/2009/04/an-interview-with-wally-badarou-part-one/</link>
		<comments>http://testpressing.org/2009/04/an-interview-with-wally-badarou-part-one/#comments</comments>
		<pubDate>Wed, 22 Apr 2009 17:14:49 +0000</pubDate>
		<dc:creator>Apiento</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[READ]]></category>
		<category><![CDATA[Barry Reynolds]]></category>
		<category><![CDATA[Chris Blackwell]]></category>
		<category><![CDATA[Compass Point]]></category>
		<category><![CDATA[Island Records]]></category>
		<category><![CDATA[Sly & Robbie]]></category>
		<category><![CDATA[Steven Stanley]]></category>
		<category><![CDATA[Wally Badarou]]></category>

		<guid isPermaLink="false">http://dev.testpressing.org/?p=12537</guid>
		<description><![CDATA[Let&#8217;s go back. Back to a time when studios had no midi systems, where were no sequencers and keyboards were played, not used to create three second loops. Digital technology was just about to appear, and snare drums would take ten years to recover. Music was built around skills: the capturing of a performance. Three takes and &#8216;next&#8217;. It would take a room, a vibe, a locked-down rhythm section, a keyboard player and guitarist with room to move, an engineer ready and a switched-on producer, full of great ideas. Add to this the vocal performance of an artist at the peak, or beginning, of their career and you have the recipe for something special. If it takes place on a tropical island, all the better. For a certain period of time (and it was a long period) a studio in Compass Point in Nassau had that something special. The house band consisted of Sly &#38; Robbie on drums and bass, Mikey Chung and Barry Reynolds on guitar, Sticky on the percussion and Wally Badarou on keys, rounded off with Steven Stanley, Alex Sadkin and the boss, Chris Blackwell, behind the desk. The Compass Point All Stars, as they were named, [...]]]></description>
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