Black Disco
Night Express
Matsuli

Words by Dr Rob
Black Disco, Night Express, Matsui, Test Pressing, Dr Rob, Review, South Africa, Pops Mohamed, Basil Coetzee, Peter Morake, Sipho Gumede

Recorded in the townships of Johannesburg`s East Rand and released independently on the As-Shams / The Sun label in 1976, this is a defiantly Black sound created under Apartheid`s rule and censorship. Its authors aimed to add voice to their struggle and to preserve Africa`s musical heritage.

Pops Mohamed`s organ (now a master kora player) moves between Muscle Shoals Gopsel and Hilton Felton, Basil Coetzee blows his sax like King Curtis, Peter Morake`s drums largely have the reverbed metronome feel of Sly Stone and Shuggie Otis` Maestro Rhythm King, or Timmy Thomas` Lowrey percussion presets, and in the main the Jazz they play is fairly trad, with a cover of The Edwin Hawkin`s Singers “Oh Happy Day”, and riffs on its theme. Very similar in fact to that on the Leslie Butler Plus 3 LP reissued a little while back by Japan`s Dub Store.

However, on the titular “Night Express”, a near eleven minutes of Sipho Gumede`s hypnotic bass-lines, they Funk together on a winding stoned past-midnight Blues like the Overton Berry Ensemble doing “Hey Jude” with a piano vamping in the background like Art Neville on the extended break from The Meters` Loft classic, “Ain`t No Use”. When Basil picks up a flute, the track taking spiritual flight with Cymande`s “Dove”.

Black Disco`s “Night Express” will be recused from obscurity by Matsuli on June 20th

Valgusesse
Frotee

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L.i.e.s., L.i.e.s., L.i.e.s.

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